Electronic Dust

An enormous amount of open-source objects is created, shared, modified, remixed, stored, and lost online each day. These objects are licensed under copyleft, Creative Commons attributions, or GNU General Public License, which allows them to be shared, altered, and used. Free from copyright restrictions, this fosters collaboration among users and creates an ever-evolving landscape in open-source communities. The work “Electronic Dust” conveys the fleeting nature of these digital objects that exist in the cloud.

  • Limestone contamination in clay bodies is a major culprit in the ceramic process. The contaminated clay can be used and fired. The result may look rather fine. However, the fired clay body contaminated with lime (consisting of calcium carbonate) will expand with significant force when it is exposed to moisture in the air, causing flaking and shattering in the ceramic works days or even weeks after the firing. This is known as “lime pop”.

    While most ceramicists view 'lime pop' as a technical malfunction, I am drawn to its raw energy and transformational power. To me, this serves as a perfect metaphor for the vibrant open-source communities and the ephemeral, shifting nature of open-source files in the cloud. I carefully developed the recipe and firing process for this project in a controlled environment to capture the exact moment of its volatile shift.

    Below video (Rod Connector Remix) was created with three rod connectors files (y245 length45thicker, 4 way cross connector 11, Rod 90/18) that are a remix from the original (Every Rod Connector 3.0) which is available through ‘Thingiverse’ on-line. It is an example of how anyone can contribute to an existing file for slightly different purposes, and also share them to be altered, and used. These files are downloaded and 3D printed in plastic as a two-part mold. Then, these two parts are taped together and filled with my wet mixture of ceramic materials. It will then de-molded, dried and fired around 1000 -1200ºC (cone 06-6). These pieces are solid when they are fired. After the firing, I begin a time-lapse recording of the objects. The time-lapse recordings were done over 2-3 weeks. During this time, fired objects will expand and crumble into dust.

“Liberator”, 2026 created in Boston. Fired lime rich ceramic materials to cone 9. Recorded for 2 weeks.

 

“Connector”, 2019. Created in Birmingham, UK. Fired lime-rich ceramic materials to cone 06, 5, and 6, time-lapse recording for 2-3 weeks each.

 

“Screw Bit”, 2018. Created in Romhild, Germany. Fired lime-rich ceramic materials to cone 01, time-lapse recording for 6 days. This is one of the first experiments I made with my lime-pop mixture.

 

“Bolt” , 2018. Created in Romhild, Germany. Fired lime-rich ceramic materials to cone 06, time-lapse recording for 4 days. This is one of the first experiments I made with my lime-pop mixture.